When looking at the open shut movement of the jaw, I began to draw the skull at the various stages of opening and closing. I wanted to find a way of layering these drawings on top of each other, so I began to work with acetate and a fine black marker.
I then worked charcol, rubbing in on to paper, then laying it face down on to a clean sheet and then drawing the same images on top of the reversed sheet with a ball point. I enjoyed doing therse fluid line drawings.
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